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dc.contributor.authorDuarte GA
dc.date.accessioned2019-03-05T09:19:32Z
dc.date.available2019-03-05T09:19:32Z
dc.date.issued2016
dc.identifier.issn2285-5920
dc.identifier.urihttp://dx.doi.org/10.1515/hssr-2016-0007
dc.identifier.urihttps://content.sciendo.com/view/journals/hssr/5/1/article-p113.xml
dc.identifier.urihttp://hdl.handle.net/10863/8992
dc.description.abstractThis paper deals with Parmenides of Elea’s way of inquiry about reality and the opposition emerging from it. In more detail, it analyses how Parmenides’ concepts of logos and doxa present some analogies with Bergson’s thoughts about duration and Time and how these theories influenced the understanding of visual media, especially the cinematographic camera. This survey will allow us to demonstrate that some scientific theories about space that accompanied the development of the cinematographic camera progressively allowed for the birth of a new understanding of this device. In the last section of this study, we will then focus on the way through which the film camera - understood as an intelligent device - passes from the sphere of doxa to the sphere of logos.en_US
dc.languageEnglish
dc.language.isoenen_US
dc.relation
dc.rights
dc.titleBetween Logos and Doxa: The Intelligence of a Machineen_US
dc.typeArticleen_US
dc.date.updated2019-03-01T07:54:53Z
dc.language.isiEN-GB
dc.journal.titleHuman and Social Studies
dc.description.fulltextopenen_US


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