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Exploring the Role of Body Movement in Music Education and Choral Practise Through Autoethnography
Journal article   Open access   Peer reviewed

Exploring the Role of Body Movement in Music Education and Choral Practise Through Autoethnography

Johannes Theodorus van der Sandt and Jiřina Jiřičková
Literacy, pre-literacy and education, Vol.8(3), pp.37-61
8
2024
Handle:
https://hdl.handle.net/10863/53130

Abstract

Movement Pedagogical approach Autoethnographic Comparison Choir environment
The teaching and learning processes in music education have long moved to the rhythm of interaction, developing side by side like a dance (McIntyre & Cole, 2001). When educators examine their own rhythmic intuition, they can gain deeper insights into the pedagogical methods that have shaped their professional journey (Hwang, 2019; McIntyre & Cole, 2001). This article explores the milestones in the development of two music educators, focusing on how rhythm and dance have influenced their personal and professional growth. In all cultures, the synergy between music and dance has been a central element of artistic expression. In the field of music education, this dynamic relationship serves as a powerful teaching tool that promotes comprehensive learning and a sense of community (Mabingo, 2019). As Nannyonga-Tamusuza points out, “the music not only helps to define the choreographic movements, but also determines the tempo and vigour of the dancers” (Mabingo, 2019). The rhythm inherent in the music and dance engages students on a profound level, creating a shared experience that transcends the conventional classroom setting.
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