Abstract
This study presents an integrated approach for the digitization, replication, and valorization of wooden tabernacles of the Capuchin Friars Minor, exemplified by the case of the tabernacle from the Church of Madonna dei sette dolori in Pescara. Employing photogrammetric techniques based on Structure from Motion (SfM) and subsequent three-dimensional modeling, a high-resolution digital model was generated, suitable for 3D printing and implementation in augmented reality (AR) applications. The physical prototyping, produced through Fused Deposition Modeling (FDM) printing, required a methodological experimentation aimed at optimizing the reproduction of decorative details and minimizing the use of printing supports, thereby ensuring a faithful and functional replica also for haptic experience. The integration of augmented reality via the Model Target function allowed for the overlay of photorealistic textures onto the physical model, expanding sensory and accessibility possibilities, particularly for visually impaired users. The proposed workflow, replicable and based on low-cost technologies, represents an innovative model for digital preservation and inclusive promotion of liturgical cultural heritage, opening new prospects for traveling exhibitions and multidimensional experiential paths.