Abstract
One of the important aspects of movie-making is to trigger emotional responses in viewers. These emotional experiences can be divided into hedonic and eudaimonic. While the former are characterized as plain enjoyment, the latter deal with getting greater insight, self-reflection or contemplation. So far, modeling of user preferences about movies and personalization algorithms have largely ignored the eudaimonic aspect of the consumption of movies. In this paper we fill this gap by exploring what are the relationship between (i) eudaimonic and hedonic characteristics of movies, (ii) users' preferences and (iii) users' personality. Our results show that eudaimonic user profiling effectively divides users into pleasureseekers and meaning-seekers.