Abstract
The publication is based on the experiences of collaboration between science and theatre in translating research findings into a play of national relevance. In the example presented, the theatre was made available as a space for the social processing of the collective (cultural and communicative) memory of violence in institutions. It thus became a place for encountering, listening and understanding, reæection, contradiction, and conciliatory dialogue, which has continued in other social circles, institutions, and spaces.
To summarise the results of this project, theatre can greatly inæuence the construction of violence in cultural and communicative memory if society accepts it and receives the acts. Naming historical violence as injustice has far-reaching effects on the social positioning of victims and inæuences their current well-being and the democratic development of society.